Martin Esslin coined the phrase 'Theatre of the Absurd' in this ground-breaking book, and the term has become part of the language just as this book has become an indispensable part of any literature and drama library: the definitive study of the playwrights who have dramatised the fundamental absurdity of the human condition. In this readable and illuminating work - still a classic of theatre studies - Esslin shows how Beckett, Ionesco, Genet, Pinter and others have confronted a world in which there is no communication and where man flounders in a void, cut off from his roots and shorn of all certainties.